…my true love gave to me: a last-minute Christmas quickie!
(Get your minds out of the gutter…)
I’m not going to do a big, long how-to, but keep it simple: I used this tutorial to create some golden snitch chocolates for a friend’s stocking.
They came together really quickly; I had Discord open in the background while I worked (because apparently I keep glue at the computer desk), and it took less than 10 minutes to get all three made.
There’s no way these were getting back in the cellophane sleeve, so instead, I’ve tucked them into a little organza bag to go at the very top of his stocking, and hopefully keep the wings from getting crushed.
Nostalgia makes everything better, doesn’t it? Food is tastier, music is better…all because of the memories associated with it.
When the “I Love the 80s” swap showed up on Craftster, I was so, so in. The cartoons! The neon colours! I think that was probably the first generation of kids that was marketed to hardcore by businesses, and it showed in the Pinterest rabbit hole I found myself falling down. I think I could have made a career (if a low-paying one) out of curating just the right Popples and Strawberry Shortcake pins.
Apparently not many people feel that way, because when sign-ups closed, there were only three of us signed up. We did a round-robin swap, which sounds more family-friendly than “three-way” – Person A sent to Person B, Person B sent to Person C, and Person C sent to Person A. It was a three-point swap, which meant that your swap package should take three or more hours to craft or cost $30 or more in supplies.
I found a truly outrageous pattern to stitch up:
I found neon craft acrylics to paint the hoop, too. Between the colours and the sparkly aida fabric, it popped. But it felt kind of underwhelming on its own (despite meeting the 3-hour mark), so I made a felt-appliqué My Little Pony to go with it.
Luckily, the same purple paint complemented Glory’s mane and tail perfectly.
I felt pretty good about my package, but hoo boy, did my partner ever spoil me!
A mug rug! The 80s-est (it’s a word now) notecards ever! Even a Caboodles! But the Lisa Frank shrine really shone, and needs a little love of its own.
I was seriously blown away by her generosity, and quite frankly by the utter perfection of her choices. It seemed like if it was on my swap questionnaire, it found its way into my package. I thanked her profusely, of course, but couldn’t let that be the end, so I felt-appliquéd a hoop for her, too.
What else do you send someone who brought such cheer to your day but Cheer Bear? All right, and some chocolate, too. (By the way: that purple door in the background isn’t long for this world. Pretty soon you’ll be seeing a different backdrop for hanging crafts.)
This all culminated in mutual goodwill, and I was a little sad to see it all over – this was probably the most fun I had ever had in a swap, playing with the colours and characters. As it turned out, one of the Craftster members hadn’t been able to take part in the official swap, and so with a brief private-message exchange, we were able to work out details of a private swap.
My new partner was a collector of My Little Pony as well, and in the course of our exchange, I quickly hit on exactly what I had to make for her.
And Medley! (I’ve also seen it spelled “Melody”, and if someone knows which is right, let me know.) Gaah, the detailing on her wings stressed me out. I kept worrying the definition wouldn’t come through.
I still wanted to include something else with them – I might be a lot of things, but I’m no one-trick pony (ha!). While Googling the Wuzzles at work one day, I discovered just what an amazing collection of vocal talent that show had. Bill Scott (you might know him as Bullwinkle J. Moose, Dudley Do-Right, Mr. Peabody…) was on it, but – and this is what did it for me – so were Henry Gibson and Joanne Worley. I had never heard of them, or of Rowan and Martin’s Laugh-In, as a kid, but present-day Witty Child just about fell out of her chair.
But how to immortalize their characters? More felt appliqué? Nah. Embroidery would be nice, but I’d want to do a fill stitch of some sort to capture the colours better than an outline alone could do, and I didn’t have the time for that. And for the first time ever, Michaels provided me with something useful, in the form of fabric markers.
The markers gave me the colours I was looking for, and worked really well on the tea towels I used. They even held up after being washed, and I can’t imagine how many hours and needle-induced callouses they saved me.
It seems that my partner and I were kind of on the same wavelength, because I got home one day after work to find these waiting for me:
Felt-appliquéd My Little Ponies! Cotton Candy will always be #1 in my books. And Lisa Frank kittens! That neon yellow on both of them (fleece for the ponies, and embroidery floss for the kitten) positively draws the eye. Who am I kidding, I can’t stop looking at either one of them.
When I adopted my oldest from the local humane society, they lined her carrier with what I think was once a pillowcase (essentially, a nondescript piece of flannelette-like material) for the ride home to ward off the January chill. When I adopted my second, they tucked into her little cardboard carrier a small afghan made of six blue-and-pink granny squares. I’ve still got the cat, and her “baby blankie”, and the blankie gets treated with kid gloves on laundry day: gentle cycle, lay flat to dry.
It probably shouldn’t surprise anyone that when I got it in my head that I wanted to learn how to crochet, I practiced the basics by crocheting simple squares to be sewn into blankets for the humane society. I don’t exactly work on them tirelessly, but it’s proven to be something to occupy my hands while I watch TV or talk on the phone, and over the past while I’ve managed to churn out six:
In approximate chronological order:
Unlike the others, which are made of a worsted-weight yarn, this giant granny square is made from a baby yarn and it’s so soft:
I was really excited about this one! It gave me a chance to try some different techniques, and provided wonderful justification for keeping back issues of Bust magazine:
Hopefully these will help some other kitty settle into his or her furever home.
And yes, my cat still sleeps with hers:
Thanks for looking – and remember: adopt, don’t shop! 🙂
…my true love gave to me: a skulk of foxes for the tree.
For the past nine years (counting this one), a Christmas ornament swap has been hosted on Craftster. Charmingly dubbed a Sweat Shoppe swap, it functions like a cross between those holiday cookie exchanges and a chain letter: you sign up for either three or six partners, make three or six like ornaments to send off, and receive ornaments from either three or six different people. Because you’re not crafting something specifically for someone, many participants made their ornaments well in advance and wait for sign-ups to begin.
I had been tempted by it in the past, but never had anything made ahead of time and never had time to start anything once sign-ups began. This year, some magical wave of forethought seized me, and I started my sewing early. When sign-ups hit, I was ready. I had found this pattern by Maisie Moo on Etsy, and gave it the old college try to make sure it would turn out, be an appropriate size, etc.
I named him Les, and he has a home on my Christmas tree. 🙂 I’m glad I practiced on him, because it gave me a chance to tweak the instructions a bit. Rather than cut out teeny, tiny black eyes from felt, I traced them onto the white pieces and embroidered them using raised satin stitch. I also used finer stitches than the instructional photos showed. And…I’m not sure how the scarf, at the length prescribed by the pattern, was supposed to wrap around his throat and have a tail to fringe – so I made it about 1 1/2 times as long so that I had a little room to play with.
Because I have apparently learned my limits after many, many years of Craftmas (official and unofficial), I signed up for three partners and not six, tempting though that was. These little guys were so much fun to stitch up!
I named them Redd, Michael J., and Renard – just think about that for a sec – and all three have made it to their new homes, despite the best efforts of the postal service to waylay them.
And now that they’re finished, and I should be thinking about the zillion other things I need to get done before Christmas, I can’t help but think what sort of ornaments to offer next year…
EDIT: By popular request, here’s what I got in return.
A fabric tree from Alberta. (Front and back.)
A cozy cardinal birdhouse from Massachusetts.
A shaker ornament from Pennsylvania – the tree was up by the time the postal system finally decided to get it to me, so it got photographed in its natural habitat. 😉
I’ll skip the whole “Ooh, Halloween!” preamble, because anyone who’s been reading this for a while knows how I feel about it (and if you don’t, check the Halloween tag). Spoiler alert: I love it! Obviously, joining the 2018 iteration of the Vintage Halloween Swap on Craftster was a no-brainer. My partner has received her package, so I figured it was safe to post this now.
My partner’s era of choice was the 1920s-1930s, and “witches” was among her favourite themes. This might have pushed me just a wee bit outside my comfort zone – my Halloween aesthetic runs toward “cute” and “cats”, and is just a bit more modern – but one of the fun aspects of swaps is trying something you might not ordinarily try. An Etsy search for “1930s Halloween” yielded, among other things, a high-quality jpeg version of this image:
(This, of course, is a low-quality image courtesy of a Google search.)
She was Art Deco-y and fun, and I decided to interpret her in embroidery. Using my lightbox, I traced the basic outline in pencil before going over those lines with a transfer pen. Once the design was transferred to my fabric, I colour-tinted the image before starting the actual embroidery.
Naturally, I didn’t think to take a picture after transferring and before tinting. This will be a recurring theme.
After setting the crayon, I used a simple backstitch to define most of the image – I had tried stem stitch, because I think it permits more gentle curvature, but it was proving to be too bulky and weird. I used a bit of satin stitch on the witch’s eyes and mouth, an some French knots to create the polka-dot pattern on her sleeve.
Her hands in the original image reminded me of a Barbie doll’s steel-fork fingers, so I attempted to humanize her a little bit. Her overall look reminded me of something, too, but I couldn’t figure out what for the longest time, until it hit me: she’s a tad Claudette Colbert-ish, I think. Same era, same shot-from-the-left, same well-defined lips…
That’s a regular wood/bamboo embroidery hoop she’s framed in (5″), painted black to really make the colours pop.
When I had gone to Michael’s to pick up the fabric, floss, and hoop for her, I saw a display of unfinished wooden light-up decorations, and lo, they had a witch one.
It did not occur to me to take a “before” picture until after I had started applying yellow paint – I told you that was a recurring issue.
Even after one coat of craft acrylic, she looked pretty good, but this picture definitely showed me the need for a second coat – and that I had to paint the edges black as well.
This picture doesn’t really do it justice – lit up in a dark room, it positively glows.
Consider Halloween crafting season to be officially underway – thanks for looking! 🙂
Remember my twinchies? Gah, that seems like forever ago. (“Time’s fun when you’re having flies.” – Kermit the Frog)
Anyway, I had so much fun making them that when another round of the twinchie swap appeared on Craftster, with send-outs in September, joining in was a no-brainer. I might be a bit late in posting these, but think of them as undiscovered gems.
My partner had a variety of themes offered as suggestions, and I was thisclose to running with Bob’s Burgers – can’t you just picture Louise’s bunny ears immortalized in four square inches of felt?! – when I saw that she also had Muppets on her list. In that moment, the first coherent thought in my brain was, “Beaker!”
That was followed a split-second later by, “Bunsen!”
It wasn’t until I began trawling the internet for source images to use, scrolling past picture after picture of Dr. Honeydew, that I realized with a start that he bears a striking resemblance to my dad’s old boss, only slightly more green. I tried to find a picture of him, but came up empty-handed, so you’ll have to take my word on this.
With Bunsen n’ Beaker done, how could I round out my quartet? Statler and Waldorf would have been fun, and practically begged to have a note included in my swap package complaining about what terrible needlework this was (“Ha ha ha!”), but they didn’t feel as iconic to me as some of the other Muppets.
Iconic Muppet? Why, that would be…
Miss Piggy was the most challenging of the four, I found. Her various pieces felt a bit more jigsaw-y to me than the others, and trying to capture that heavy-lidded look on a very small canvas wasn’t easy. But the sparkly fuchsia background seems perfect for the self-proclaimed star of the show, and there’s a joke in there somewhere about casting one’s pearls before swine, but I haven’t found it… (Comments welcome below.)
Knowing that my partner had already received a Kermit twinchie in the previous round, I couldn’t grab for the low-hanging fruit for my last piece. Instead…drumroll, please…
Big Bird! Stitching him up made me so happy! The bright yellow and blue felt, the thin lines of blue and pink around his eyes to make them pop…and those fun little feathers on top of his head to add some texture to the whole deal.
They made it to my partner with all their embellishments intact, and had me envisioning an entire installation of felt Muppet portraits…
“Your problem is trying to be too nice,” she said to me.
“You’ll find it easier if you’ll only be snarky.
It’s just the simplest way to get yourself set free –
Just use snarky ways to leave your lover.”
She said, “Some people think that ‘snarky’ equals ‘rude’.
In fact, some puritans would have it labelled ‘lewd’.
But nuts to them! I say, who needs their attitude?
Embrace those snarky ways to leave your lover.”
Just tell him, “Nope, dope.”
“Can you not, Scott?”
“Would you go away, hey,
And let me be.”
I said, “No way, Jay!”
“OMG, ewww, Lou.”
What else can I say, hey,
Except for, “Bite me.”
She said, “Don’t let your conscience tell you that it’s wrong.
I hope you’ll see the light before I end this song.”
I said, “That’s great and all, but won’t it take too long
To learn these snarky ways…?”
She said, “Just try to find your inner snark tonight,
And I believe that your man-child will be gone without a fight.”
And then she left me, and I realized she probably was right
‘Bout using snarky ways to leave your lover.
Soooo, I signed up for the Be My Snarky Valentine swap on Craftster, after having to sit out the Christmas edition due to having about a dozen other things to try to get done. But all I really have to do on Valentine’s Day is show up to work (because it’s a weekday, not because I work in a Valentine-specific industry), so I figured I could swing this one. We each had to craft one small, snarky item plus one snarky card for our partner.
While I typically find Valentine’s Day a bit annoying (and hence the appeal of a snarky swap), I’ve always liked the aesthetic of conversation hearts. Heck, I don’t even mind eating them, although they tend toward chalky. I’ve even been known to paint my nails in the same colours and stage ridiculous manicure shoots at my desk:
(Seriously, what did we do before smartphones? How did we document the inanity?)
So it seemed like a no-brainer for me to incorporate them into my snarky swap package, somehow. Fortunately, my partner said she likes pastels, so I thought a mini felt garland might be in order.
Each heart is about 3 inches across at the widest points – I didn’t think to measure them – and are spaced 4 inches apart, with 6 inches to the hanging loop on each side. I cut out two hearts of each colour and then applied fusible interfacing to one before sketching on my snarky sentiments to embroider. Once they all said something, I sandwiched the ribbon between the two hearts, and blanket-stitched around each heart to secure the ribbon in place.
I’m also a little particular about the colours being in the proper spectrum order, or at least as close as you can get.
Because I’m a cross-stitcher at heart, that’s the approach I used for my card.
I had some sparkly white Aida left over from my mom’s cat ornaments which was just perfect for my background.
Whatever your Valentine’s Day brings, I hope it’s better than Ralph’s. 🙂