…my true love gave to me: a meme that comes straight from TV!
It was quite by accident that I found this pattern for a Christmas’d version of Homer Simpson moving silently through Ned Flanders’ hedge, but knew right away that I had to stitch it.
Luckily, my local needlework shop (always support your local needlework shop if you have a choice!) had the requisite Christmas green aida cloth, so I was able to get started on him right away.
He fits perfectly in a 4″ hoop!
The backstitch really creates the illusion of the hedge, and the two little French knots for his pupils are the finishing touch.
…my true love gave to me: a French hen to go with my two turtle doves and partridge in a pear tree!
By the time Satsuma Street released their holiday designs last year, I was done with taking on last-minute crafting projects. (Excuse me while I snicker behind my hand.) That didn’t stop me from buying the charts, though: one of them was the third installment in the 12 Days of Christmas series, and since I had stitched the first two last year it was a given I had to do this one as well.
Mon dieu! A French hen!
I didn’t think to take a picture of the back, but once I was finished stitching and attaching the beads and sequins, I glued it to glittery white felt so it will shimmer no matter how the lights catch it.
The four calling birds have been released, so I’ve got at least one project for next year lined up already.
…my true love gave to me: a card with a greeting merry!
For the second year in a row, I signed up for the Christmas Card swap on Lettuce Craft, because who doesn’t like getting a little festive mail? Or mail in general, really?
Last year, I kept things fairly simple with a bit of embossing powder and die-cut messages (trust me, it’s simpler than it might sound), but this year I apparently lost all sense of reason when I saw the Christmas Trees box card on SVGCuts. This had presence, drama, and a great reason to play with some fun patterned papers that mysteriously find their way into one’s stash but don’t get used for being “too busy”.
Speaking of patterned papers: trying to decide on a colour scheme was pretty much impossible. In the end, I made three cards in a traditional red-and-green theme, and the other three using fun mid-century pinks and teals. The traditional set got gold stars and ornament hangers, and I used silver for the mid-century set. I stamped the back of each card with a fun, festive message that still left plenty of room to sign. The pattern came with a little train to attach to the inside front of the card, but I left it out to make things all about the trees.
I wouldn’t say that making six 3D cards was a mistake, but it sure was an undertaking. The actual assembly wasn’t so bad – I hit upon a rhythm and system that got me down to about 30 minutes of gluing and positioning per card – but cutting out all the different pieces and keeping them sorted until I could put them together was a challenge. I started by making little piles for each card, starting with the solid coloured base and then setting subsequent stars, tree bits, etc. on top, and then putting each little group into its own envelope to wait patiently to be glued together.
The other challenge came when it was time to mail them. When folded flat, they’re 7 inches square (or as square as you can be with irregular edges), which is bigger than most envelope sizes commonly found in stores. Sure, there are 9″ x 12″ envelopes for letter-sized paper, but that felt like overkill. I found some 7.5″ x 10″ “catalogue envelopes” at Staples which fit the bill nicely. And then…I worried that they would get bent in the mail, so I made little cardboard sleeves to give them a bit of stiffness. Some people helicopter-parent their kids; I do it to my crafts.
Luckily, my over-packaging seems to have worked: four out of six partners have received them so far, and they’re standing just as straight as they did before mailing.
…my true love gave to me: some Grinchy little guys for the tree!
In unpacking the Christmas decorations this year, I came to the realization that wow, there were a lot of cross-stitched pieces in there, and I might have a problem. There were cross-stitched representations of the cats, typographical hoops, and a whole bunch of ornaments stitched on perforated paper. (And that’s not counting the older ones, stitched on flexible vinyl Aida, that are blocky and weird by contemporary design standards.)
Of course, even if I had (re)discovered this sooner, it likely wouldn’t have stopped me from working up these guys. I had had the pattern in my Etsy favourites for a long time, and finally had the chance to stitch it.
Because the design is so small, and because my Q-snaps are…not that small, it was easier to cut a piece of fabric (iridescent Aida for the win!) large enough to accommodate three repeats of the pattern than to struggle and curse a piece sized for one. I folded the strip into thirds, found the centre of each third, and set to stitchin’.
When they were done I washed and pressed the whole big piece, then cut the thirds apart and mounted each one in a 3″ wooden hoop. I had briefly debated painting the hoops somehow (or maybe spray them with glitter spray paint) but thought the understated look worked well for someone who stole Christmas before promptly returning it. He’s definitely adopted a pre-epiphany stance here.
A friend has called dibs on one, and I’ll be keeping one, leaving me with an extra to hang somewhere or keep up my sleeve as a crafty add-on to a gift.
…my true love gave to me: a night known for being starry!
Earlier this year (or maybe late last year?), I read about a shop called CrossStitchObsession that produces charts of miniaturized works of art in cross-stitch form. The picture the article featured included a tiny version of van Gogh’s The Starry Night, and one of my nearest and dearest particularly admires that painting. This was a stocking stuffer just waiting to stuff!
I had my doubts when I first started – it really didn’t look like too much.
Gradually, though, a picture began to emerge.
Before long, anyone would have been able to recognize it!
It actually got harder to do the further I got! I’m not one for marking up charts to cross out what I’ve already stitched, and without that, trying to match up the blank spots on the perforated paper to the chart became quite the trick. There are so many shades of blue in this, and they all started to look alike after a while.
I backed it with some navy blue cardstock to give it a little sturdiness. The mini easel was one of those miraculous Michaels finds. They came in a pack of four, so I might have to stitch a few more mini masterpieces.
For comparison, here’s the original painting (image courtesy of the MoMA website):
That the designer(s) got that much detail into a 2″ x 3″ pattern is simply astounding. I’m so excited for him to unwrap it on Christmas!
…my true love gave to me: two turtle doves and a partridge in a pear tree!
“Wait, wait, that’s not how this works! You’re just supposed to use the format of the song to talk about what you’ve made, not rip it off word-for-word. You know better than that! Now, what did you actually make? OK…two…turtledoves and…a partridge in a pear tree? Really? Uh, carry on, then, I guess.”
I don’t collect much anymore. Sure, my tsundoku spiralled out of control during the pandemic, but books don’t count, right? One soft spot I have, though, is cross-stitched interpretations of “The 12 Days of Christmas”. I’ve probably got no fewer than six or eight different patterns, not to be stitched (yet!), but to be admired and the possibilities dreamt of.
Late last year, I was delighted to see that Satsuma Street had been offering, for the last two years, an ornament pattern for the first two days. Not only do I *heart* Satsuma Street, but stitching a single 3″x4″-ish ornament felt much more achievable than the entire 12 days at once – although I also own that pattern of theirs.
Anything that starts with colours like this has to be good right?
I worked on these at a nice, leisurely pace, occasionally setting them aside if something more pressing came along, but got the beads and sequins added in time for them to go on the tree this year.
I backed them with white felt for a little extra stability, and used an iridescent white metallic thread for the hanging loops.
She already has a French hen in this year’s ornament collection, so I’m sure you can guess what’s going in my virtual cart. I’m hoping she continues with this series, because I’d love to be able to display all twelve days, eventually…just nine more years to go, at the current rate!
My true love gave to me: a calendar to count down daily!
Back in the summer sometime, in the course of scrolling through Etsy, I came across a panel of 24 mini-stockings meant to be made into an advent calendar. Did I need it? No. But also maybe yes. In either case, it was delivered to me in short order. If you’re curious and/or want to try this at home, kids, it’s the “Merry Christmas Mini Stocking Advent” by Makower.
The instructions included were pretty straightforward: lay your stocking panel wrong-sides-together on top of whatever fabric you want for your stocking backs, pin and cut.
Of course, I had help.
Once they were all cut out…
…I could pin each front-back pair and sew them together.
It’s funny how much smaller they are once they’re turned right side out! From here, the instructions cheerfully directed me to press the top edge under 1/4″ and stitch close to the edge, then cut ribbon into 6″ length and fold in half and stitch the ends to the inside edge to create hanging loops. There was no way those tiny little things were going to fit around the needle plate on my machine, and I wasn’t about to hand-sew a hem. Instead, while they were inside out, I pressed that top edge the recommended 1/4″, and then turned them right side out and pressed everything – including the top edge. It still created a neat finish, and I can always sew them later if I change my mind.
Rather than deal with making ribbon loops, I decided to attach them to their display rope (that’s a very technical term) using mini clothespins. Thankfully, both the clothespins and the Command Hooks supported the weight of the chocolates I had tucked inside.
I really like that each stocking’s design is oh-so-slightly different. Even the ones that look the same have small differences!
After the day’s chocolates have been, um, dispensed with, the stocking gets re-attached, toe-up, to keep the wall from looking empty as the 24th draws closer. I’m looking forward to turning this into a yearly tradition, where the only decision is what kind of treats to fill them with.
Other subject lines that were considered for this post:
"I've got garlic in my soul."
Rejected because: As an individual of Ukrainian descent, of course I have garlic in my soul. Heart, soul, genes - you name it, it's there. If I still ate meat, I'd probably be working my way through a coil of kubasa from Tenderloin Meats as I type this.
"I wouldn't touch you with a thirty-nine-and-a-half-foot pole."
Rejected because: In these fourth-wave days of aerosolized droplets, this actually sounds like sound public-health advice. Thirty-nine-and-a-half-foot poles: when two metres just isn't enough.
Back when Craftster still roamed the interwebs, one of the members posted a picture of this same scarf she had made for herself, along with a bit of a rant how, as soon as she posted it on social media, everybody and his brother dogpiled on her: “Can you make me one? I neeeeeed it!” Several duplicates later, she was sick of the yarn colours and didn’t want to see the darned thing again, when all she had originally wanted was something cute to wear to a holiday party.
My crochet skills at the time were pretty rudimentary and I wouldn’t have dared attempt this for myself back then, but I’ve gained a bit of confidence and really wanted to try it this year. I didn’t include it as a Craftmas post because a) this was for myself, and not a gift, and b) I didn’t have it finished by the 25th. But who cares? It’s still warm and cute!
It’s folded in half in the picture above – the bottom half (not seen) is solid red, and altogether it measures 138 cm in length. I didn’t take a lot of in-progress shots because it worked up fairly quickly and there wasn’t a lot to be said. It’s done in Corner-to-Corner (C2C) crochet, which means that instead of working in either horizontal or vertical rows (depending on your perspective), you work it on the diagonal.
Like this:
See how that one side is much longer than the other? There are lots of great tutorials for it online, so I won’t attempt to elaborate further except to say that if I can do it, anyone can. The way you work “squares” of stitches at 90-degree angles to one another makes for a lovely soft and squishy texture.
The eyes and nose are crocheted, too, and then sewn on, and the mouth was free-hand sewn on. I was going for his devious, plotting smirk.
(I promised my model anonymity in the form of decapitation.)
Even though Christmas is over, I’m still going to wear him until the weather warms up – hopefully he’s recognizable by the general public.
…my true love gave to me: a sparkly bauble for the tree.
It happened like this: my friend was trying to think of something he could give his immediate team at work for Christmas that wasn’t just a three-pack of Lindt chocolate or something else that had been done before. I saw a tutorial to make glitter-filled ornaments, and that pretty much settled the matter. (Are you noticing a theme in this year’s Craftmas posts yet? Hint: it’s glitter! I swear that was unintentional.)
We started out with a container of 80mm disc ornaments from our friendly neighbourhood craft store and removed the cap from the top of each…
Mike McEwen’s Beijing dreams will go unfulfilled, sadly…
…poured a bit of Polycrylic (we had to venture a bit further afield for this; the big box store next to the friendly neighbourhood craft store charged twice as much for half the amount) into each one and swirled it around to coat, before inverting the ornaments in an egg carton to drain the last few drops out…
…and then went wild with glitter! We poured some into each Polycrylic-coated ornament using a funnel, and then shook/swirled it around to coat the entire inside before emptying the excess glitter back into its container.
We didn’t stop there, though. We used the cutting machine to cut everyone’s name out of permanent adhesive vinyl, plus “2021” for the back of each one and a few snowflakes for good measure, and then set to work personalizing each one.
Of course, we had to remove the excess vinyl (“weed”) first:
I made a couple for my neighbours, but he was a machine putting together the ones for his coworkers!
We even had a bit of pop-culture fun with these:
All in all, these were a really fun project to put together. We have almost an entire can of Polycrylic left over, so I suspect there will be more sparkle in the future.
…my true love gave to me: some hoops for the wall (or the tree)!
This is indeed serendipitous timing: I downloaded the patterns for these hoops exactly one year ago (based on the “printed” date at the bottom of the pages). Someone on Lettuce Craft had stitched one of the designs, and I absolutely loved the typography. I immediately went off to download a digital copy of the magazine they were from (the November 2020 issue of Cross Stitcher, if anyone’s interested) even though I knew there was no way they were happening last year, not with 10 days to go before Christmas.
This year, however, I started early to make sure they’d be done. Although I loved the typography, I didn’t love the original colour scheme – the yellow-green looked so wishy-washy – and so I chose my own colours for a bolder, simpler look.
The holly berries were supposed to be red cross-stitches, but I had some beads on hand that worked perfectly. The gold metallic accents were my substitution, too, and worth the frustration of working with metallic thread.
I framed the finished pieces in 4″ wooden hoops that I sprayed with glitter spray paint – it’s not a solid, disco-ball kind of glitter, but adds a bit of shimmer to the plain wood. It also carried the theme of the iridescent fabric, which doesn’t show well in the above pictures. But take a gander at this progress shot:
What a beaut, huh?
My other moment of inspiration in making these: because stitching on pieces of fabric that are too small to fit in a hoop or frame properly is the worst, I cut one large piece and marked off thirds, then centered a design in each third.
My mom laid claim to two of these as soon as they were done, and the third went to a friend. No matter where they hang, though, I hope they spread some holiday cheer.
The Witty Child 